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Archive for the tag “Edinburgh Free Fringe”

Dharmander Singh

The show’s full title: Dharmander Singh from Bollywood and Birmingham to Berlin and Brexit is clarified pretty early on in the proceedings. Dharmander shares a name with a Bollywood actor; he originally comes from Birmingham (although he doesn’t have to explain that one – the accent rather gives it away); he now lives in Berlin so obviously Brexit will be mentioned.

However as the show isn’t overtly political the Brexit element is quite low in the pecking order. This is a wise move as Dharmander (or Da – as he helpfully invites us to call him) isn’t your hectoring politico type of comedian but rather the kind who invites you into his world and introduces you to all its quirks and oddities. In Dharmander’s case this means a fair amount of culture-class comedy centering on the Berlin psyche – on one hand avante-garde and anything goes – on the other petrified when the ticket-inspectors board the train. Even if life in Germany in general – and Berlin in particular – isn’t a hot topic for you Dharmander’s mega-watt smile and brilliantly energetic style will win you over. And of course there’s the Brummie accent which adds to the cheeky chappie persona and is always good value in the comedy stakes.

Dharmander is also appearing in two other shows for the whole Fringe run. Hopefully he’ll be able to keep those energy levels up!

(review for 4 August)

https://tickets.edfringe.com/whats-on/dharmander-singh-from-bollywood-and-birmingham-to-berlin-and-brexit

 

Juliet Meyers

There’s an old adage that if you want to have a friend in politics – get a dog. You could also stretch that one to Edinburgh Fringe shows – get a dog if you want to experience a noticeable spike in audience numbers. I couldn’t possibly comment but according to Juliet Meyers – ‘co-star’ of This Flipping Rescue Dog Has Ruined My Life – this adage has empirical truth.

Okay – Juliet did have healthy audience numbers yesterday on a typically dreich and disgusting Edinburgh weather afternoon. And that could possibly have had something to do with the other co-star – Homer, the adorable rescue dog. Here’s the irony though – Juliet is a fine comedian and doesn’t actually need a gimmick. But the paradox is – her show is all about Homer the rescue dog so there would be a big dog-shaped hole if he wasn’t there.

Statistics and philosophy aside – let’s talk about the show. Juliet is warm, funny and weaves some cracking material about middle-class pseuds, Mumsnet and everyday casual sexism into the main tale (hmm, I promised I wouldn’t do doggy puns… ) of how Homer came into her life. Homer – for his part – isn’t made to do that much which is a relief for those dreading Britain’s Got Talent – type animal exploitation. He’s just there – and he’s absolutely gorgeous.

Dog existentialism aside – although there is a fair bit of that – this is a very funny and heart-warming show which is definitely worth an hour of your time.

(Review for 4 August)

https://tickets.edfringe.com/whats-on/juliet-meyers-this-flipping-rescue-dog-has-ruined-my-life

A Gentle, Shy Antichrist

Can anyone remember when the stereotypical Italian twin obsessions were food and music? Anyone who knows Italians of a younger vintage though will confirm it’s religion and sex. Well… maybe that’s more an Italians on The Fringe thing. And Daniele Fabbri is no exception.

Daniele is a welcome addition to the impressive roster of Italian talent which has graced the Free Fringe in recent years. As for the title – I wouldn’t say particularly shy – he’s a confident performer who was unfazed by the smallish audience (an occupational hazard due to a noon start in a venue off the usual beaten Old Town track). And if the epithet of antichrist conjures up the image of a head-spinning, vomiting demon – you’re going to be disappointed on that count too.

What we do get are tales of a disconnect with his parents, an early obsession with Michael Jackson and the forced purchase of a Papal fanzine. The separate strands being brought together in a neat conclusion.

There are only two more shows left in this very short run so you’ll have to be quick if you want to sample an early lunch of skewered and barbecued Catholic faith with no guilt offered!

(review for 4 August)

https://tickets.edfringe.com/whats-on/gentle-shy-antichrist

 

 

 

 

 

Helping Aamer

How can anyone not like a show where tea, coffee, biscuits and boiled eggs are on offer? Not only that but our host, motivational speaker and performer – Dr Mark Silcox – prepares the refreshments for us. Actually – scrub the word ‘performer’ because at no time does this feel like a performance.

Polite, softly-spoken, older Indian gentleman invites us into the cool downstairs room at Ciao Roma. On the one of two baking-hot days in Edinburgh this respite from the heat would have been enough to get the audience on his side. But there are also the aforementioned refreshments – too nice really! I have to admit I become a little obsessed with the practical concerns when bits of business like this are carried out. Are the eggs going to be properly cooked? Will there be enough water in the kettle to make tea for everyone? Where’s the milk kept? As a detail-obsessed person I’m getting the vibe our host is like that too – so we’re going to get along just fine.

In fact getting – or more accurately sending – ‘the vibe’ is a major part of the fifty minute experience. To explain – Mark Silcox’s mission during the time is to send love to the very angry ‘reverse-racist’ comedian Aamer Rahman with the hope of making him a little less angry. There’s a motivational-tool recording of Kipling’s If played at the start followed by compare and contrast biographies (his and Rahman’s) presented in an attempt to ascertain the reverse-racist’s anger source. There is also much scrutiny of Rahman’s Twitter account with ridiculous, pompous (and of course angry) tweets defused with perfect little put-downs which are a mix of naivety and sharp wit.

By this stage of the Fringe – actually at anytime – I get pretty fed-up with ‘comedy categorisation’. The idea of ‘well, I didn’t find it that funny or engaging but it’s meant to be anti-comedy so that’s alright’. What a lot of (Free) Fringe shows have to remember is most audiences will wander in just wanting to be entertained and engaged. If a show can deliver that – great. If it can inspire and actually make you feel good about yourself and the world for a while – even better. If it can be subtly done and make you suspend disbelief for the best part of an hour – that’s pretty special.

A lovely little gem of a show. (And by the way – the eggs were cooked to perfection!)

(Review for 24 Aug)

https://edinburghfestival.list.co.uk/event/615813-helping-aamer/

 

Joz Norris: Hello, Goodbye

Man in a box with only head visible inviting audience to come in and sit down. Now that’s what I call absurdist silly comedy.

What follows is a quick visual introduction to the man via family album photos spilling out of the box fax-machine like. The last one is of an elderly gent. The man breaks free of the box – changes his clothes with donations from the audience. A balloon with a drawn-on face and Princess Merida auburn wig takes the man’s place in the box. The elderly gent is the grandfather; the balloon is the girlfriend and the man is Joz Norris.

There is a story involving all three with much stopping and starting, false jeopardy and going off at tangents. The story itself is not so much shaggy dog but woolly mammoth and tangents include stopping off at the Beatrix Potter museum; allowing a tiny man hand-puppet to try stand-up and getting audience ideas for a – very structured – improvisation. But somewhere within all the mayhem there’s a fragile little tale of love and loss.

There’s quite a bit of absurdist silly comedy out there – especially on The Fringe – and if it’s done with a lack of conviction you’re going to be sussed. What joy then that Joz Norris seems like the real deal. Bags of energy with a madcap style reminiscent of a young Jim Carrey – his interplay with the audience is genuine and warm. In fact – you can almost feel everyone relax as we realise Joz is a nice guy whose main aim is to give us forty-five fun-packed minutes (many shows have the intention but can’t deliver).

By the end the fragile little story – more or less – is told and Joz hands back the borrowed shirt now covered in sweat. The owner could be keeping it as a souvenir in anticipation of Joz Norris making it big. Who knows? It could very well happen.

(Review for 21 Aug)

https://tickets.edfringe.com/whats-on/joz-norris-hello-goodbye

Joz Norris: Hello, Goodbye

Barbarians

The blurb for Ben Van der Velde’s show starts like this – ‘Thanks to Genghis Khan’s friskiness we’re all 8% barbarian’. The flyers and the poster have Ben suited-up and wielding an axe. So far so interesting.

To kick off there’s a quick scan of the audience with assumptions made. There’s a big bloke who must be tough; a wee woman who’s probably feisty and a couple who look as if they may be pot-heads. Tricky that last one – especially when said couple were asked how they enjoyed getting high and the guy replied ‘eating a lot of food and watching shit TV’. Back to the big bloke sitting with his mates at the back of the room who give a collective cheer when the question ‘is anyone Jewish?’ is asked. Ben looks momentarily stunned but recovers quickly with some neat ad-libs re the subversion of stereotypes.

This leads into the main part of the set which is about Ben and his being Jewish but he’s non practising and not religious at all. This brings a whoop of delight from an audience member who gets a bit of a counter-Dawkins/Hitchins put-down. But this part of the set is more about Ben with tales of doing a disastrous gig for kids at his local synagogue and whether he should get his son circumcised. Generally all good stuff – but I wasn’t sure about a throwaway line relating to FGM.

After this bit Ben tackles the thorny subject of Brexit – but not as I’ve seen a few comedians do it at this year’s Fringe: ‘What was that about, eh?’ and move swiftly on. He asks for a show of hands and of course being a ‘lefty liberal audience’ we all stick our mitts up to indicate we did ‘the right thing’. All except for one person at the back – what ensued was quite a confused/confusing exchange with Ben back-peddling a bit down the road of ‘some of my best friends are… ‘

The show ends with a story involving a backpack-carrying Muslim where the message is ‘don’t make assumptions’ but as there are so many confused assumptions already in the room the message gets a bit lost. It’s a shame as the whole idea of shared DNA suggests inclusiveness which is always good for coaxing an audience on board. As it was there was more of a pervading air of disengagement when we should have been getting gee’d up for the big finish. Ben is undoubtedly a very accomplished comedian and he proves he can think on his feet when a curveball is thrown at him. Maybe he shouldn’t invite too many to be thrown at him in the space of one show though.

(Review for 21 Aug) 

https://tickets.edfringe.com/whats-on#q=%22Barbarians%22

Harriet Braine: Art History Songs

First off – the show has to be up for ‘the most inappropriate venue for the subject matter’ award. The whole beer-soaked sports-mad Dante’s Inferno (not even ironically arty) that is the Sportsters Bar totally at odds with the more esoteric offering of a collection of songs about art history (or ‘performance essays’ as the blurb describes).

Happily once past the Inferno entrance the Sportsters back room is quite a cosy little space well suited to a low-key laid-back show about a potentially niche subject. The show is one woman (Harriet Braine), her guitar and a set of art prints. Her first song involves a fair bit of lip-trumpeting which made me think I was in for an Earl Okin (remember him?) tribute act. In fact the trumpeting only appears in one other song so all you Fringe veterans can relax.

So is the subject of art history too niche? Well, not according to the relatively substantial audience who must have made a determined and informed decision in making their way to that back room. Accepting that – the choice of subject matter was far from niche with artists like Picasso, Leonardo, Bosch and Cezanne being name-checked. There are also nods to female artists – Frida Kahlo, Georgia O’Keeffe and Marina Abramovic – which is commendable but they are possibly the least effective songs because of the niche interest (hey, I don’t make the rules!).

The music itself is a straight lift from songs that fall in the period between classic(al) and modern. So we get Wuthering Heights, Roxanne, Abracadabra, 4 Non Blondes’ What’s Up? and Blondie’s Maria. Original tunes with some subtle musical referencing might have been good but probably too much of a rod for the back when a quick recognisable reference is needed to get the audience engaged in two minutes bursts.

Entertaining, educational and all in all not a bad way to spend forty-five minutes.

(Review for 21 Aug)

https://edinburghfestival.list.co.uk/event/627829-harriet-braine-art-history-songs/

 

Desiree Burch: This is Evolution

I’m going to share with you a fantasy I had forgotten about until the other night. It’s fifties New York or maybe downtown Los Angeles. I slip into an exclusive little club and watch the latest hot-ticket doing this new hip happening called stand-up comedy. It could be Woody Allen, Lenny Bruce, Joan Rivers, Richard Pryor. All I know is I’m there and I’m loving it. I pretty much had that experience the other night. Did I take a time machine? No – all I did was go along to the Blundabus and saw Desiree Burch in her show This is Evolution.

I love the top deck of the Blundabus as a venue. It’s a wonderfully intimate space which lends the perfect atmosphere to performances that are all about confessions and being frank (the amazing Luca Cupani taking this to the Catholic confessional extreme in the very same venue). Of course wonderfully intimate can also mean totally embarrassing if the audience ain’t buying it. Glad to say the audience were all on board (I promised myself I wouldn’t use that pun… ) with Desiree’s set.

As a woman the themes – including macho cat-calling; being a fag-hag; the culture shock  quality of going out with an older man (‘waking up in a bed that’s not Ikea’); the pressure for women to shave ‘down there’  – resonated with me. But that’s not to say you have to be a women to appreciate the solid-gold material. Men in the audience were getting it and loving it too. There’s also stuff about being a black American women but Desiree never distances herself as if to say ‘you wouldn’t understand… ‘

Actually that’s the main big beautiful theme of the show – you don’t have to do what’s expected of you; you can be dealt a poor hand at birth but you can rise above it. Desiree speaks from experience – she’s spent a fortune on self-help guides. But instead of a tacked-on uplifting finale filched from one of those guides she does a very clever analogy about electrons behaving differently when they’re not being watched. If that sounds horribly scientific – go with it – it’s boldly and brilliantly original.

Okay, the material is great. But what really makes the show fly is the performance. Desiree has a marvelous physical presence which is both commanding and warm; and she uses the limited space to perfection – for example doing an uncanny impression of a trotting pony or thumping the roof of the bus to punctuate a point. Her delivery is rapid and assured leaving you exhilarated rather than exhausted.

I’m so glad I saw Desiree on the Blundabus but then I’d be glad to see her anywhere. This woman has talent and star quality to spare so intimate venues may soon be a thing of the past.Take the opportunity to see her this way while you can.

(Review for 18 Aug)

https://tickets.edfringe.com/whats-on/desiree-burch-this-is-evolution

Desiree Burch: This is Evolution

 

Milo McCabe: The Unflappable Troy Hawke

For those who saw Milo McCabe‘s Genesisocide at last year’s Fringe you’ll know what to expect from the man. Excellent characterisation, a range of impeccable accents and a slightly bonkers story-line. Last year there was a lot of Back to the Future obsession on the Fringe and Milo did his own take as a would-be assassin travelling back in time to take out the schoolboy Phil Collins. It was breakneck funny with a big physical performance and a range of characters using up every inch of the Counting House big stage. Cut to this year and the more intimate surroundings of the City Cafe downstairs. There is only one main character – the unflappable Troy Hawke.

Troy Hawke is a distillation of every mustachioed matinee idol from Ronald Colman to Douglas Fairbanks (Errol Flynn is named as the preferred blueprint). But there’s also shades of the classic comedy cad (Terry Thomas to Leslie Phillips) with a purred catchphrase (‘oh, stop it’) punctuated with a saucy little shimmy. So far – so impeccable. So what’s the big bonkers twist? Well Troy Hawke isn’t actually a film star or any kind of star. He was home-schooled by his mother and fed on a diet of Errol Flynn movies (see above). He is what you might term ‘special’. Casting off the cotton wool chrysalis he goes on an eye-opening journey of Weatherspoons bars and encounters with bampots (his Scottish bampot/ned/radge voice is irreproachable).

The whole fish-out-of-water story-line is always a winner. There’s a little bit of it in most British situation comedy with social anxiety and getting it wrong (from Tony Hancock to David Brent). And when it’s opened up and the main protagonist is plunged into an alien landscape (as in Edgar Wright/Simon Pegg movies) it can be hilarious. And so it is with Troy Hawke, There are some marvelously funny lines and routines (the whole idea of Hawke becoming the ‘Weatherspoons’ Nutter’ after discovering ‘the wonderful place’ is inspired). Another essential element of this kind of situation is the hero becomes just that and triumphs at the end of the day. Does that happen here? Go and see!

I loved the show but if I was to have one teensy gripe I would cite the very end just before the bucket speech where Milo brings in a bit of political commentary. Now, I totally agree with his views (beware the Eton educated Tories) and they are delivered as Troy Hawke but for me it jarred a bit and broke the perfectly pitched spell he’d cast over the preceding forty-five minutes. A bit like Charlie Chaplin at the end of The Great Dictator – maybe that was the intention!

All in all though – an excellent show.

https://tickets.edfringe.com/whats-on/milo-mccabe-the-unflappable-troy-hawke

Punel Show

There’s always going to be potential for a very diverse – and possibly sparse – audience when performers decide to slip in an extra show  when it’s meant to be their day off. The two extremes are: the super keen Twitter users only too glad to hot-foot it along to a Free Fringe hot-ticket and those who haven’t heard of the performers and have wandered in by chance.

Out of the seven audience members I think two of us were in the first category; two in the second; two open to debate and one was Darren Walsh’s mum-in-law. There was another couple at the start but they were definitely in the second category and made a hilariously inept phone-assisted escape when they decided after five minutes it wasn’t for them. (I’m not sure what they expected – the name of the show pretty much tells you everything you need to know. It’s a panel show with puns)

Also did they not know they were in the company of punning royalty with Darren Walsh and Mark Simmons as hosts? Those of us who know and appreciate their work (and use Twitter) were a bit stunned by this point. Great comedy, packed houses so far in the run, seven people in the audience today – really? I think the hosts were stunned as well but they were far too professional to call off or give us a stripped back show. I can’t be sure what happens on other days but I can’t imagine having any more fun than we did.

I don’t know if it’s a bit silly to try and describe the set-up of an essentially silly show but here goes. Darren and Mark are team captains each with one panel member in the shape of a guest comedian. On the day there was Fraser Geesin (quite grumpy but I think that’s his comedy persona) and the excellent and completely bonkers  Trevor Feelgood (I believe he’s a resident panel member so that’s a treat on its own). There are rehearsed puns, there are ad-libbed puns and much general silliness. The fun and games extends to the whole audience but as we were seven this was probably inevitable. It was a bit like being at the best family get-together – if you’re lucky enough to have some top-notch comedians in your family.

Of course it will be different each day and you may have to fight to get in. But I’m sure you’ll have a gloriously fun time – I know the seven of us did!

(Review for 16 Aug)

https://tickets.edfringe.com/whats-on/punel-show

 

 

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