The Girl with the Edinburgh Tattoo

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Archive for the tag “PBH Fringe”

Harriet Braine: Art History Songs

First off – the show has to be up for ‘the most inappropriate venue for the subject matter’ award. The whole beer-soaked sports-mad Dante’s Inferno (not even ironically arty) that is the Sportsters Bar totally at odds with the more esoteric offering of a collection of songs about art history (or ‘performance essays’ as the blurb describes).

Happily once past the Inferno entrance the Sportsters back room is quite a cosy little space well suited to a low-key laid-back show about a potentially niche subject. The show is one woman (Harriet Braine), her guitar and a set of art prints. Her first song involves a fair bit of lip-trumpeting which made me think I was in for an Earl Okin (remember him?) tribute act. In fact the trumpeting only appears in one other song so all you Fringe veterans can relax.

So is the subject of art history too niche? Well, not according to the relatively substantial audience who must have made a determined and informed decision in making their way to that back room. Accepting that – the choice of subject matter was far from niche with artists like Picasso, Leonardo, Bosch and Cezanne being name-checked. There are also nods to female artists – Frida Kahlo, Georgia O’Keeffe and Marina Abramovic – which is commendable but they are possibly the least effective songs because of the niche interest (hey, I don’t make the rules!).

The music itself is a straight lift from songs that fall in the period between classic(al) and modern. So we get Wuthering Heights, Roxanne, Abracadabra, 4 Non Blondes’ What’s Up? and Blondie’s Maria. Original tunes with some subtle musical referencing might have been good but probably too much of a rod for the back when a quick recognisable reference is needed to get the audience engaged in two minutes bursts.

Entertaining, educational and all in all not a bad way to spend forty-five minutes.

(Review for 21 Aug)

https://edinburghfestival.list.co.uk/event/627829-harriet-braine-art-history-songs/

 

Milo McCabe: The Unflappable Troy Hawke

For those who saw Milo McCabe‘s Genesisocide at last year’s Fringe you’ll know what to expect from the man. Excellent characterisation, a range of impeccable accents and a slightly bonkers story-line. Last year there was a lot of Back to the Future obsession on the Fringe and Milo did his own take as a would-be assassin travelling back in time to take out the schoolboy Phil Collins. It was breakneck funny with a big physical performance and a range of characters using up every inch of the Counting House big stage. Cut to this year and the more intimate surroundings of the City Cafe downstairs. There is only one main character – the unflappable Troy Hawke.

Troy Hawke is a distillation of every mustachioed matinee idol from Ronald Colman to Douglas Fairbanks (Errol Flynn is named as the preferred blueprint). But there’s also shades of the classic comedy cad (Terry Thomas to Leslie Phillips) with a purred catchphrase (‘oh, stop it’) punctuated with a saucy little shimmy. So far – so impeccable. So what’s the big bonkers twist? Well Troy Hawke isn’t actually a film star or any kind of star. He was home-schooled by his mother and fed on a diet of Errol Flynn movies (see above). He is what you might term ‘special’. Casting off the cotton wool chrysalis he goes on an eye-opening journey of Weatherspoons bars and encounters with bampots (his Scottish bampot/ned/radge voice is irreproachable).

The whole fish-out-of-water story-line is always a winner. There’s a little bit of it in most British situation comedy with social anxiety and getting it wrong (from Tony Hancock to David Brent). And when it’s opened up and the main protagonist is plunged into an alien landscape (as in Edgar Wright/Simon Pegg movies) it can be hilarious. And so it is with Troy Hawke, There are some marvelously funny lines and routines (the whole idea of Hawke becoming the ‘Weatherspoons’ Nutter’ after discovering ‘the wonderful place’ is inspired). Another essential element of this kind of situation is the hero becomes just that and triumphs at the end of the day. Does that happen here? Go and see!

I loved the show but if I was to have one teensy gripe I would cite the very end just before the bucket speech where Milo brings in a bit of political commentary. Now, I totally agree with his views (beware the Eton educated Tories) and they are delivered as Troy Hawke but for me it jarred a bit and broke the perfectly pitched spell he’d cast over the preceding forty-five minutes. A bit like Charlie Chaplin at the end of The Great Dictator – maybe that was the intention!

All in all though – an excellent show.

https://tickets.edfringe.com/whats-on/milo-mccabe-the-unflappable-troy-hawke

Punel Show

There’s always going to be potential for a very diverse – and possibly sparse – audience when performers decide to slip in an extra show¬† when it’s meant to be their day off. The two extremes are: the super keen Twitter users only too glad to hot-foot it along to a Free Fringe hot-ticket and those who haven’t heard of the performers and have wandered in by chance.

Out of the seven audience members I think two of us were in the first category; two in the second; two open to debate and one was Darren Walsh’s mum-in-law. There was another couple at the start but they were definitely in the second category and made a hilariously inept phone-assisted escape when they decided after five minutes it wasn’t for them. (I’m not sure what they expected – the name of the show pretty much tells you everything you need to know. It’s a panel show with puns)

Also did they not know they were in the company of punning royalty with Darren Walsh and Mark Simmons as hosts? Those of us who know and appreciate their work (and use Twitter) were a bit stunned by this point. Great comedy, packed houses so far in the run, seven people in the audience today – really? I think the hosts were stunned as well but they were far too professional to call off or give us a stripped back show. I can’t be sure what happens on other days but I can’t imagine having any more fun than we did.

I don’t know if it’s a bit silly to try and describe the set-up of an essentially silly show but here goes. Darren and Mark are team captains each with one panel member in the shape of a guest comedian. On the day there was Fraser Geesin (quite grumpy but I think that’s his comedy persona) and the excellent and completely bonkers¬† Trevor Feelgood (I believe he’s a resident panel member so that’s a treat on its own). There are rehearsed puns, there are ad-libbed puns and much general silliness. The fun and games extends to the whole audience but as we were seven this was probably inevitable. It was a bit like being at the best family get-together – if you’re lucky enough to have some top-notch comedians in your family.

Of course it will be different each day and you may have to fight to get in. But I’m sure you’ll have a gloriously fun time – I know the seven of us did!

(Review for 16 Aug)

https://tickets.edfringe.com/whats-on/punel-show

 

 

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